[…]ht, What's he going to say? So he said, he said, You're a very good camera man. He said, That's photographically Very good. He said, But you're a bad director.Unknown Speaker 31:51 So I said, Director, you know, they're all little wooden figures. So he said, wooden or whatever they are, […]
[…]l 2001, I think! I: 2001! 1976 till 2001. And today is the 28th [May, 2017]. So there we go. We've identified the tape. So where did your background, what was your background before you came to television and where were you, first of all, where were you born? Let's start with that. R: I wa[…]
[…]y going out which we struck over. The Home Secretary actually stopped the BBC from putting that show, that show out and there was a picket of ITN and BBC. So, yes, it was a lively period. So for you it wasn’t just about membership it was also about being active? Yeah, of yeah. And of cours[…]
[…]ge 13hierarchical view, mechanistic view of life and the way it works. You could see both his strengths and his weaknesses in what he did at the BBC. I think the BBC owes him a lot, Ithink that he... it is arguable that if John hadn’t done what he did, the BBC would not still be funded by […]
[…]der 100,000 pounds in those days. So we progress Oh, this is a skate over this. The red rasa. The red tent was Kara touch soft was a very big Russian director. In fact, it was a Russian Italian co production and had been shooting it for about 18 months when I went on. On an off site. I mean, as far […]
[…]h, [with Siler??] I played in a play at Wyndhams. And I got married. SC: When did you get married? DM: 1934. And that year Bobby joined the BBC. And Noel Marshall sent for us and said ‘I’m doing a revue, will you work on it?’ And we’d never done anything like that before. So we said ‘Certa[…]
