[…] and stuff. And of course, another man paid great credit to him, David Lean, because he learned a lot from that. Was leans first picture. He was a co director. He'd been a co director on I was with him down in Denton when we made major Barbara. He was up working with Gabby Pascal. That was 1940 we w[…]
[…] fact Harold decided he wanted to be a producer, so he put himself down as producer, and I got this large directing credit [laughs] which was totally undeserved.Stephen Peet: Was this a commercial company, a little documentary company? I believe we'll have a little pause here.Philip Leacock: Okay, y[…]
[…] for a great conductor and people relax for a good director. And, er... I don't think anybody had it in the […]
[…] for a great conductor and people relax for a good director. And, er... I don't think anybody had it in the […]
[…] not a woman, you couldn't have a woman as a director. Sidney Cole : I suppose things are a little easier […]
[…] this time the interviewer Stephen Peet worked for him until 1956. Louis Nell worked as Cameraman. Working as a colonial making […]
[…]k away from it so that the journalist could do the questions without corpsing. There was one quite famous journalist now, Sally McNair, who works for BBC. She was a Reporter on Scottish Television and she was prone to giggle and I remember filming her doing a piece to camera and I had to put my coat[…]
