[…]d Carolyn Rickards. So, thank you for coming Paul.PC: It’s my pleasureSS: I guess the first areas that we wanted to talk to you about was your background and interest in colour and how you got into thinking about using colour professionally and just a little bit about the early background.PC: Yes in[…]
[…]ry! [Chuckles.] Oh, there it was! But you never checked when you were doing a black and white film, you very rarely checked your costume with the art director. When you were doing colour, that was a very different matter, of course you had to then, otherwise the most awful things could happen. But i[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]
[…]hen he left Frank Clark [ph] took over. There was another trainee alongside me, called Pam Bosworth, who I think I’ve seen her name on credits for theBBC. I was there about a year. I got restless because there was nothing I could do there beyond what I was doing and it was a sort of very early primi[…]
[…] stick to that one! Yes, stick to that one. And had lovely voyage. Five and a half weeks through the Panama Canal. No, the other canal this time. The Suez, yes, yes. Got to Melbourne was met by this man called Tucker who got us into a hotel and so on. We were very well fixed up. The company was quit[…]
