[…] thing in eight days. And I think it cost well un der £25,000, and of course Pamela Brown gave a […]
[…] for it or not, never wake up but cope with that. And say people like Roy Jackson, who worked in the business he he was much more of a full animation director. I mean, I don't know quite how much of his works advice. But he did work but he worked. He was doing an animated Lewis Carroll style of work[…]
[…]o try and change?CM: Yeah and also to learn. One of the films I love the most is Made in Britain with Tim Roth. Alan Clarke, to me, was a genius of a director. That happened almost just when we were… just before we shot A World Apart, I worked with Alan and Tim Roth on Made on Britain. To me that wa[…]
[…]bit younger.” He said “Why?” I said “I’d love to play Briggs.” “Well, why do you need to be younger? I can’t offer you the part, but you can meet the Director.” So I went to meet the Director, who was David Leveaux, at the Almeida and we got on well, so because of Harold, my acting career started al[…]
[…] programmes for them. People like Acme?productions or you know Barney Straw? production companies who actually make the programs and sell them to the BBC. But. The question is you had the rights to the material . It might be the BBC where it might be the production company. It might be a bit of each[…]
This recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co- Investigator, De Montfort University). (2015).BECTU History ProjectInterview […]