Management Meeting June 2017

[…] The emphasis is on their acquisition of new skills and understanding, rather than on their relationship to the collection or […]

Marjorie (Sullivan) Graham

[…]e making programmes and frankly, we didn't really know what we're doing most. Were all not many. And a couple of people came few people came from the BBC. The rest were all new people. So we were learning from scratch.Speaker 1  6:28  And you remember working on down beats company? Yeah, s[…]

Terry Marcel

[…] set first thing in the morning. And he would be there, right the way through to the end. knew his lines. Absolutely fantastic. Basil Dearden was the director. And we were shooting most of it in a village called Men's Gooner, I think it was called here was terrible. I mean, that was that place was b[…]

Ronald Seeth

[…]rom where we are at the moment. I went to school in a place called Faifley, which is part of Clydebank. That's where my education was and lived there until about 1982 when I left the nest and went and bought my own place. I: And when you were growing up during your childhood, was there anybody […]

Penny Woolcock

[…]then somebody from Channel Four randomly saw this film - which I have to say was not my finest work - thought it had showed promise, and then I was a director.Martin Spence  12:35  So you were making a film for Channel 4, I was making a film for Channel 4.  You shouldn't have been say[…]

Jill Craigie

[…]d to be the only one at that time - I wasn't the only one, I think Mary Field was making children's films, but somehow they said I was the only woman director... and young, very young, and looked rather frivolous... The press used to say things like "although she is very feminine and only 20, or wha[…]

Percy Livingstone

[…]ingdom and eventually after. On. Little contretemps when I left the company for about a year[00:28:16:810] - SPEAKER: F9. I succeeded him as managing director.[00:28:20:200] - SPEAKER: M2Suddenly I were jumping considerably far ahead. Well you're right. One question about Ireland was that perceived […]

Charles Bennett

[…]hing of writing just ahead of the camera. The assistant director would come up and say, "got any pages for Mr. Elvey down there" - Maurice Elvey, the director. Anyway, one day Claude Rains came up to my office, and he said "Charles, have you noticed this girl Jane Baxter who's playing the second par[…]
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