[…] BBC consider transcribing all the BEHP interviews relevant to the BBC. Sue has produced a list of all BBC relevant interviews […]
[…] tapes we hold . We are exploring a Memorandum of Understanding with Bob Geoghan on behalf of Film Friends regarding […]
[…] Jez (interviewer) Access to Clapham to refile returned tapes is unlikely for some time. The article for the Veteran was […]
[…] shoot. I’ve worked on things where I’ve never seen the director. Somebody asked me what’s Robert Day like to work with […]
[…] Roy Fowler: Cavalcanti was what, a producer? Director? Norman Fisher: Director. It was all a very loose sort of organisation really […]
[…] is the real epitome of a ball of fire but director. I first met Sidney when we did a film called […]
[…] The emphasis is on their acquisition of new skills and understanding, rather than on their relationship to the collection or […]
[…]e making programmes and frankly, we didn't really know what we're doing most. Were all not many. And a couple of people came few people came from the BBC. The rest were all new people. So we were learning from scratch.Speaker 1 6:28 And you remember working on down beats company? Yeah, s[…]
[…] set first thing in the morning. And he would be there, right the way through to the end. knew his lines. Absolutely fantastic. Basil Dearden was the director. And we were shooting most of it in a village called Men's Gooner, I think it was called here was terrible. I mean, that was that place was b[…]
[…]rom where we are at the moment. I went to school in a place called Faifley, which is part of Clydebank. That's where my education was and lived there until about 1982 when I left the nest and went and bought my own place. I: And when you were growing up during your childhood, was there anybody […]