[…] I was offered a job as assistant dubbing mixer at Lady Ewell's British National. And the same time I'd applied for as assistant recorders job with a BBC. And the two things happen together. And it really was a crossroads because the British National came up said look, we want you to take the job. A[…]
[…]ese terrible mistakes happened, we cut to him. I'm trying to remember who it was - somebody who died - a very famous man who did sound things for the BBC.Daphne Shadwell: Not Huw Weldon?Joan Kemp-Welch: No...anyway, it's gone. But it was terribly funny! The only person whobehaved herself w[…]
[…]er][Laughter] You, yours was probably the same.Yes.You know, you mustn’t, you, anything that you make, record, invent or draw or paint belongs to the BBC.Belongs to the BBC, yes, that’s right, yes.And you mustn’t divulge anything. And, oh, that reminds me that in my letter telling me not to give up […]
[…]thur Catterick? photographed Brian Langley was operating the Noel Rowlands was assistant and I was the clapper boy and. Frank Catham? first assistant director. And again Paul Stein I was terrified after the miserable and so he always wore a hat he was always griping nothing was ever right. He moaned[…]
[…]ld be rung or anything because we were all on the stage. So that was about, I was there for about two years and then, as I say, I left and joined The BBC.But that gave you presumably a general sympathy with the lot of the actor?Oh yes, absolutely.[Laughter] And also the thing was very valuable I tho[…]
[…]yes. Chap says, You seem to do our exhibitions for us. I said Who's that speaking to you then My name is Kenneth Adam I'm the ex public? of the  BBC. said could you come and see me because we've got an exhibition. In Prague and I'd like you to design it  Oh, click that and I go up to see, […]
[…]th enormous flair and so I became his producer and the most critical time I had in that category of things was that I was his producer at the time of SuezNorman Swallow: I did one with him at that time because I think you were on leave, I think I stepped in, one of his Suez broadcasts, I think the f[…]
[…]being reduced to voices, and then finally they were an anonymous voice, which was a just a linking narrator, of which I did a couple, but not for the BBC. I mean Dispute was done like that, but that was a strange mixture because I actually had the protagonists talking to camera, as a sort of linking[…]
[…]he floor with tape. And I mostly was on drama and so there I remember what George Moore O’Farrell was my favourite, George was a very, very sensitive director. It's strange how some of them were very, very good indeed but they never made the transition into films, George made some pictures but they […]
[…] well as small roles.NS: ...And so the war goes on and the ballet goes on.MD: I’d like to say something about...well this is post war. It’s about the BBC. There was no TV during the war. It started up again in ’46. Although I was still in the ballet company in ‘48/49. We did have a notion of what th[…]
