Tessa Idlewine

[…]een putting my toe into feature films and that’s how I got on Masque of the Red Death which is obviously a feature. Because we got a Film Foundation grant to work on that and we were just… we were too busy so I started working on that. So, I don’t know, I can talk about Masque so[…]

Peter Lamont

[…]ere was a building school, a commercial school, and an engineering school. Two of my friends went to art school, there were five of us, went to [unintelligible]. So I did a three-year course. When I came out, my father, who was a sign writer and, I’m not joking, he was bloody clever you know an[…]
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