[…]ason about a British schoolteacher who relocates to Jamaica after a divorce, where he meets a new woman.[67] Two Living, One Dead (1961) is a British-Swedish thriller based on the 1937 Norwegian film To levende og en død, adapted from the 1931 existentialist novel of the same name by Sigurd Christia[…]
[…] ‘How long did he live?’ ‘Well, oh dear, how long...’ I said, ‘Look, give me your number or something, I’ll see what I can find out for you’. ‘We are Swedish Broadcasting and we need your help.’ So I said, ‘Right’. So I got the number. Well, it was in the evening, I tried to get hold of the Ref[…]
[…]that and trying to ‘adopt’ smaller filmarchives because I remember Anna-Lena Wiborn in Sweden used to adopt filmarchives and look after them from the Swedish point of view. And that workedvery well. It’s also a way of making these smaller archives feel wanted, andthen entering training programmes an[…]
[…]nbsp; At the same time I was doing classical ballets, that is to say performances of ballets from the repertoire of world companies such as the Royal Swedish Ballet. I was mounting classics myself from start. I discovered that the audience had feeling for Coppelia, for Giselle, for Sleeping Beauty a[…]
[…] to adopt film archives and look after them from the Swedish point of view. And that worked very well. =t’s […]
[…]for television archives, it was mainly, initially entirely European, that was their object. They suggested inviting, besides INA, somebody from Swedish Television and somebody from Portuguese Television and somebody from Italian Television and one of the German companies, Norddeutscher Rundfun[…]
[…] to say that Durrel was terribly sorry , I'd have to tell you that I sold the rights to this book. Four years ago and forgotten. I'd done so to Swedish television. I said right, Dick do you want to settle out of court, which was the and really that's how it all started. We did settle out of co[…]
[…] must have been in the sixties - was with a Swedish film. I'd have to look up the name, the […]
[…]harles Cooper: The one example of censorship we had with him was probably about in the - I should think it must have been in the sixties - was with a Swedish film. I'd have to look up the name, the name escapes me for the moment. There was a short sequence in this film, it's a couple, and a friend o[…]
[…] first German girl marrying an English Englishman, just immediately after the war. And that was, that was where my settling came in, before she was a Swedish girl, you know, yes.Speaker 3 31:36 Degree business, I believe in, in the scenes, yes,Unknown Speaker 31:40 yes.Speake[…]
