[…]nyway, so that particular period you must have been very, very busy...Peggy Gick: Oh gosh, yes I was...John Legard: ...and this is the early days of ITV and they were mostly shot in black and white weren't they? I mean, we were still in the black and white days virtually, 'cause colour didn't come i[…]
[…] processing, and then the printing from the negative for them during that time. Which was quite interesting, because I see a lot of this stuff now on TV that we actually process. In some of these historical documentaries,Roy Fowler 11:43 the Barnes Wallis activities came a little later,D[…]
Copyright is vested in the BECTU History ProjectFREDDIE FRANCIS, lighting cameraman, feature film director, interviewer Alan Lawson, recorded on 24 November 1993SIDE 1, TAPE 1Alan Lawson: When and where were you born?Freddie Francis: I was born in the wilds of North London, Barnesbury, north London […]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]
[…]p floor film house. Yes. Was there a studio in the basements.Speaker 2 4:23 That was, that was, that was the, that was the storehouse for TV news. All the board TV news boys were down there. See them now too?Roy Fowler 4:37 Was there a studio tied to the operation? No, no,Unk[…]
E. M. Smedley Aston (production manager) 1912 - ? by admin — last modified Jul 27, 2008 02:43 PM BIOGRAPHY: […]
Extract from interview w ith Peter Dimmock in 1990 about the BBC’s television coverage of the Coronation in 1953 The […]
[…] came about in this way, after Munich I’d done a TV script, and I had it in mind that Ralph […]
