Ray Pascoe 0:05 The interview. Copyright is invested the British entertainment history projectLesley Gogarty 0:14 understood.Ray Pascoe 0:16 So could you just give us your name and your jobLesley Gogarty 0:19 title? My name is Lesley Gogarty, but for m[…]
[…]fter that, but not much. It’s not much fun really.CR: Can I ask, as that was your first feature film, you said you worked on… so with a background in TV commercials, which were obviously in black and white, was it different changing to work on a colour feature film, as a designer, do you have to thi[…]
[…]rints from slides. It was necessary to use reversal paper and the quality was very poor so someone had the bright idea of transferring the slide onto TV using flat screen monitors and then printing that straight onto normal print, using a cathode ray tube again, using red green and blue. And that wa[…]
[…]g problem that you can’t solve is speed. So I used to send my 16mm colour neg to Chemtone in New York and they had a boosting system and fortunately ATV allowed me to send my rushes to New York to be processed so I could push my neg at least a stop. And then one of the lenses I used a lot was a .95 […]
[…] decision in the Unison case, which was a fantastic victory for us under the trade union movement.Derek Threadgall 15:12 Let's go back to TVA.Some people who are going to listen to the interview I'm sure don't remember that. So probably it's worthwhile.Speaker 1 15:29 Yes, we[…]
[…]d Makepeace.MARTIN SHEFFIELD: That’s right, yes. She ended up marrying the guy ... NORMAN J. WARREN: That’s right, yes, the American guy. And another TVseries, Blake’s 7 I think it was. And it was all people like that. As you say, James Aubrey, John Nolan, Carolyn Courage. It was a good ca[…]
