[…]alled Murray - Leslie Murray who had come from some small place or other. I won’t say any more on that. Overton left, he found a job with Technicolor, he joined up with Technicolor. Ivor got the job of Chief Maintenance at Pinewood. Very early on he had a flaming row with a p[…]
[…]ind Penny Princess, ‘cos that went out of circulation and I wanted to get a cassette of that from Rank, and all Rank had was our original three-strip Technicolor negative. It was on three-strip. And to make a print of that would have cost about sixty thousand pounds, because we’d have had to make a […]
[…]y said, the other bleishman, he was the king is dead. And I swear to you that exactly as I tell you this happened, he picked up the phone and he rang Technicolor, and I forget George, somebody or other. He rang when you ring the technical, and he said, I want an option on every technique color camer[…]
[…]e it wasn’t but it was a, you know, a very well… all those prints were well-made. But we’ve also got a kind of standard release print and we’ve got a Technicolor dye-transfer print from ’70. So, and guess what, the colours… now, you know, I know that you’re pretty interested in films that were shot […]
[…]f a problem. I mean obviously, as a designer, you control the colour anyway, you’re not throwing it away all the time.JR: You never had to shoot with Technicolor?EH: No, no Technicolor.PF: What about those relationships then with people like Ashton Gorton and the discussions you perhaps had with the[…]
