Kieron Webb

[…]e it wasn’t but it was a, you know, a very well… all those prints were well-made. But we’ve also got a kind of standard release print and we’ve got a Technicolor dye-transfer print from ’70. So, and guess what, the colours… now, you know, I know that you’re pretty interested in films that were shot […]

Evangeline Harrison

[…]f a problem. I mean obviously, as a designer, you control the colour anyway, you’re not throwing it away all the time.JR: You never had to shoot with Technicolor?EH: No, no Technicolor.PF: What about those relationships then with people like Ashton Gorton and the discussions you perhaps had with the[…]

Jonathan Mann

[…]10Video00:00:00 – 00:10:42 JM discusses his previous roles; neg-cutter at Mike Frasier’s; started as a runner, moved to sound syncing; freelanced for Technicolor, sound-syncing and video work; moved into video mastering and creating some of the original HD files from the studios; then moved into res[…]
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