[…]quipment in the museum going back to the very early box, wooden box motion picture cameras.Roy Fowler: Including one of the few surviving three strip Technicolor cameras with blimp?Reg Sutton: Yes. And we have one of the original Movietone Wall sound-on-film cameras and the amplifier which I used to[…]
[…]the only time I've ever been fired. I was left. The editor wanted to go home and there was an airline strike so the film was delayed in going back to Technicolor [labs] and coming back. So he said “I'll go back and see it in England”, he'd been there a long time, and they left me in charge of the fi[…]
[…] cause I knew that Ray Dutfield was about to leave Technicolor. Alan Sapper: Yeah. Johnny Goodman: It also happens that […]
[…] made your first colour picture CB: That’s right I: In Technicolor, with Anne Ziegler and Webster Booth .. CB: Yes, […]
[…] basis so it could compete properly with, mm, Rank and Technicolor, et cetera. And at a certain sta ge I […]
[…] then he spoke. And he said, "Yes! Yes Charles. In Technicolor!" Ha, ha, ha! And the thing was sold, you […]
[…] got in with the photographic firm what was it called? Technicolor. He got in with them - and he got […]
[…] And they liked that idea and we went along to Technicolor and saw some tests that had been done and […]
[…] was in charge of the...he later became in charge of Technicolor. George Gunn, and Bill Salter was with him, and […]
[…] when we worked for the Lux films. And it was Technicolor who made us the most embryonic [laughs] effort, just […]
