Joy Batchelor

[…] when we worked for the Lux films. And it was Technicolor who made us the most embryonic [laughs] effort, just […]

Reg Sutton

[…] Roy Fowler: Including one of the few surviving three strip Technicolor cameras with blimp? Reg Sutton: Yes. And we have […]

Peter Stuart Mullins

[…]ight.PM: Also we ran Henry V. Because the opening sequence of Olivier’s Henry V is in the Globe Theatre, so I remember we ran that and we had prints. Technicolor took prints of for us. So, we copied a lot of that.DB: I see.  Was – what was the last film? Stepping Out is the last one on the list[…]

Bob Jordan

[…]l man called Jimmy Wilson. I can't say too much about the operator because he was not very pleasant but a guy called John Winbolt, ex- Technicolor technician. Johnny Shinerock and Wally Fairbrother were the focus pullers I worked with. And we used to make all these[…]
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