[…] you want to make an optical in colour film, on Technicolor film with three negatives, you couldn't possibly do it […]
[…] And we ran it for nine months. And it was Technicolor and we had a lot of trouble with the […]
[…] And then I hear that Natalie Kalmus came over from Technicolor and bought him out. Alan Lawson: What...what was the […]
[…] were all set up, we start to roll - a Technicolor camera, and if you don't know, a Technicolor camera […]
[…] the Sunday Jay Sykes who was head of sales at Technicolor used to have open house at this Beverly Hills […]
[…] a - we got it from the Navy, and in Technicolor, that was on 35mm. And that was afterwards...yeah that […]
[…] was the first film I'd made in colour. It was Technicolor, it was three -strip with the camera about the […]
[…] cause I knew that Ray Dutfield was about to leave Technicolor. Alan Sapper: Yeah. Johnny Goodman: It also happens that […]
[…] made your first colour picture CB: That’s right I: In Technicolor, with Anne Ziegler and Webster Booth .. CB: Yes, […]
[…] basis so it could compete properly with, mm, Rank and Technicolor, et cetera. And at a certain sta ge I […]