John Taylor

…think we had four slash cutting copies. We had to cut the picture complete, for Technicolor to do the blow-ups in something like three weeks, four weeks, I can't remember what it was.SP: And then you …

Jack Hildyard

…graphed in B&W and lit in colour – a question of separation; with the early Technicolor you could over-all light on the set but this couldn’t be done with B&W as the image would become ‘a grey…

Mitch Mitchell

…dak shut down Cinesite’s imaging department he moved to fulfil the same role at Technicolor during the tumultuous transition from film to digital and the closing down of laboratories.  Mitch lect…

Tessa Idlewine

…ms, e.g. Masque of the Red Death, where she used a mix of negative elements and Technicolor prints to recover censored footage. historyproject.org.uk+1Education & Background:  • She earned a BA in…

Bill Whittemore

…al conference, often accompanied by Dennis Claridge, another labs stalwart from Technicolor.As his health deteriorated Bill had to drop out of union activity, but he still held on fiercely to his unio…

Phil Hooley

…g room on Bell and Howel and Sound Union printing machines. Monochrome was king,Technicolor where the colour lab,worked on many TV progs, “Man in a Suitcase”,”William Tell”,”Danger Man”  among ot…

Joy Cuff (née Seddon)

…k’s horse for crossing the rope bridge. Merton Park Studios and matte set-up at Technicolor, Bath Road.1967 DANCE OF DEATH August Strindberg (1968) dir. David Giles starring Sir Laurence Olivier (Edga…

Peter Newbrook

…0 Newbrook made Changing Face of Europe, a series of five documentaries shot in Technicolor to show the Americans how money from the Marshall Plan was being spent.He went to work at Alexander Korda’s …