[…] a pooled effort?Norman Fisher: No, it wasn't. Pathe, well, Gaumont, Castleton Knight was clever and as soon as King George VI had died, he phoned up Technicolor and said I want every camera unit you've got. And they said oh is this for the funeral of the king? And he said no, it's not, it's for the[…]
[…]t his experiences on the film; Jack Cardiff shot scenes for the film in Egypt; FY talks about painted clouds for the desert shots.00:09:00 – 00:19:20 Technicolor three-strip, Natalie Kalmus, Bill Skall; Skall was sent over to the UK to advise new camera operators, Kalmus was the colour consultant; K[…]
[…] soon as King George VI had died, he phoned up Technicolor and said I want every camera unit you've got. […]
[…] much of an impact?PS: The thing that really bothered me was the fact that you might shoot on Eastmancolor but if the company had a contract with the Technicolor lab it was printed a different way. It was not printed on Eastman Color it was printed in, what they call, the imbibition process and I ca[…]
[…]ications; CFS were unique until Universal came a long much later; they handled a lot of 16mm neg made from a 35mm original; Denham went into 16mm but Technicolor didn’t for many years; CFS processed all of Technicolor’s 16mm material until the early-80s; when Technicolor wanted to enter the 16mm mar[…]
[…]y out of the plan of the Denham studios, stages, workshops, everything. And at the end was a laboratory. And in the laboratory space it had got on it Technicolor Laboratory. And apparently what happened is that Korda went for colour, he took a big interest in Technicolor and he was actually concerne[…]
[…] stories; practical jokes; filming the 1948 London Olympic Games in Technicolor; newsreel wars; co- operation between cameramen; faking newsreel items; […]
