Search Results for: Technicolor

[…]ications; CFS were unique until Universal came a long much later; they handled a lot of 16mm neg made from a 35mm original; Denham went into 16mm but Technicolor didn’t for many years; CFS processed all of Technicolor’s 16mm material until the early-80s; when Technicolor wanted to enter the 16mm mar[…]

[…]y out of the plan of the Denham studios, stages, workshops, everything. And at the end was a laboratory. And in the laboratory space it had got on it Technicolor Laboratory. And apparently what happened is that Korda went for colour, he took a big interest in Technicolor and he was actually concerne[…]

[…]ular relationship with…CM: There were two labs I worked with a lot and one of the people I enjoyed most of all was a man called John Ensby who was at Technicolor and then David Hemmings at Kays. Yeah that relationship was incredibly important, as important as dealing with, or as working with the art[…]

Paul de Burgh (PB)Laboratory, NFTVA, Restoration (Technicolor)BECTU No.585Interviewers: Kieron Webb (KW), Liz Watkin (LW), Charles Fairall (CF)Date 27/05/20092 DV Tapes (Video) Tape 100:00:00 – 00:08:20 PB shows his membership card for BECTU to the camera; KW introduces PB, LZ and CF; PB starte[…]

[…]s the Citadel with Robert Donat, that was in black and white. Four Feathers which was quite a famous Korda film and that was my first introduction to Technicolor, a great big blimp they had, three strip cameras and of course Herbert Wilcox came along with his 60 Glorious Years and that was also in T[…]

[…]y doing. It's the first color picture, and also on that picture, I felt very much, and I I rather wanted to break any rules that existed at that time Technicolor, particularly as as the main color system, Technicolor, were fairly insistent that one should light fairly flatly. They thought that there[…]