Gerry Anstiss
BMC – Newall. Technicolor – Arriflex. Panavision – Mitchell.Michael Winner.
Search Results for: Technicolor
Richard Q McNaughton
…irected by Pat Jackson, is discussed and it is recounted that one of only three Technicolor cameras in the 261 RICHARD McNAUGHTON …
Ronald Spencer
…am for an international bank commercial.Comments on early equipment and 3-strip Technicolor cameras, Blimps etc also frame pictures/projection tunnels.Had no ‘in-house’ training – learned ‘on the job’…
Adele Spencer (nee Reynolds)
…s for women as editors or production managers. Adele comments on how cumbersome Technicolor and sound processes were then. She worked mostly at Pinewood and Walton-on-Thames Studios under contract and…
Michael Relph
…lso talks about the use of colour by Douggie Slocombe [Interview No 68] and the Technicolor reaction. Then an amusing story about the start of Joan Collins in the film I believe in You, also an amusin…
Peter T Handford
The scarcity of equipment: waits while it was repaired. Noise problems of early Technicolor filming.(1Hr l3 Mins)At age of 20, called up in October 1939. Sent to Royal Artillery.
[…] John Jeffery # 273 Colour Film Services ,. Technicolor, Humphries. Comment about experience with Stanley Kubrick John Aldred […]
[…] Woman in Question, The Browning Version, and the sumptuously-designed, gorgeously- Technicolored The Importance of Being Earnest in 1952. By that […]
[…] were colour coded Red, Blue, Green (our hommage to glorious Technicolor 3-Strip – honest!). The Red Master went direct to […]
Norman Spencer
…r. There was a nasty accident on the very first shot - take one - when the huge Technicolor camera following Valerie Hobson was dislodged by a part of the set, fell to the floor, and seriously injured…