[…]1943 because it was about a ship being torpedoed in the Atlantic by a German submarine.SPEAKER: M7And Pat decided to shoot it not only in three strip Technicolor which means you had this enormous enormous camera in a boat. And he wanted to shoot it in the Atlantic which he did out where he could hav[…]
Les Hilling (LH) Laboratory, Props, Rigger, Printer (Technicolor, Twickenham Studios, Pinewood)BECTU No.274 Interviewers: Alan Lawson (AL), Syd Wilson (SW)Date 03/03/931 Tape Side 100:00:00 – 00:12:50 Introductions; born in Castelnau, Barnes, August 1914; school at Brackenbury Road, H[…]
[…]ack. It's towards the end of the film.Roy Fowler: The battle were miniatures.Robert Beatty: I think so.Roy Fowler: Hornblower was probably your first Technicolor film and that was in the days of the massive three strip camera, did that affect the actor?Robert Beatty: It didn't worry me. It probably […]
[…]s used commercially for advertising. It was a three color car bro, originally followed by dye transfer, which, of course, became a process from which Technicolor was derived. And having worked, this is as an apprentice with Dr Spencer, who was then a director of the Sun engraving company, and late, […]
[…] correct name post -interview] the Director of Photography with the Technicolor man , you know, who worked with the three […]
[…] about either the bravery or the insanity of shooting three-strip Technicolor in Fiji. E.M. Smedley-Aston: What was the mono-strip they […]
[…]r tops.E.M. Smedley-Aston: No you carry on.Roy Fowler: I've got a question about either the bravery or the insanity of shooting three-strip Technicolor in Fiji.E.M. Smedley-Aston: What was the mono-strip they did for a while in Technicolor? Roy Fowler: Oh you had Monopack?E.[…]
