Search Results for: Technicolor
Pat Jackson
[…]ty thousand...John Legard: Really?Pat Jackson: ...which was a lot of money in those days. And it was to be, you see, the first feature documentary in Technicolor. Well, that was fine! Now then, we had to cast it. How were we going to cast it? I needed about eighteen chaps in the lifeboat, of whom th[…]
Cyril Pennington-Richards
[…] funny really because, then Pat asked me to photograph 'Western Approaches' which was the biggest film they'd ever done, and in colour. I hadn't done Technicolor - this wasgoing to be my big break, you know. Unfortunately my first wife was expecting a child, which she lost, so I had to go back home,[…]
Charles Crichton
[…]s 99% shot in this country.SC: Did you go to the States.CC : NOSC: Did you get a credit.CC : Yes.AL: We were talking about the trick work in ThiefCC: Technicolor had just said the tricks that Alex used, flying carpets, horses galloping in the sky, all this sort of thing, they just said it was imposs[…]
Gordon McCallum
[…] where we lived...one Ron Hague, I don't know whether you know Ron Hague? You would do, probably, if you'd been around the laboratories in the past...Technicolor for many years. Anyway, that's his history, but he's been a longstanding, very valuable member of the industry. And I went to work with hi[…]
Lionel Banes
[…]nbsp;44:21  can't remember his name, and he was back in Joe, yes, and so they said we could do a test in Westminster Abbey, because one morning, Technicolor with Jack Cardiff were going to do a test, and they said we could shoot one at the same time. This was a three strip.Unknown Speaker  […]
Peter Sargent
[…] t use it for sound because of the clatter they made, so we used a fast [vast?] cumbersome thing called the Vinton Visertone[?]DB. Did you ever use a Technicolor camera?PS. [No?] thank god.DB. Because they were so huge?PS. WelI, you had the original... Was it two or three rolls of film went...? You […]
Kitty Marshall (Hermges)
[…]o on that we had to show, and that sort of thing. And at the same time the backgrounds were very often shotwith a camera for the clouds and things at Technicolor, and there, I can’t remember whothe bloke was, but Di Berline [ph] was the assistant, because I became friendly with her, she was the assi[…]
Bill Girdlestone
[…] A and B Printing at Denham.Fowler/Lawson: Explain how it was done.Bill Girdlestone: Well, if you want to make an optical in colour film, onTechnicolor film with three negatives, you couldn't possibly do it by internegatives. You have got to devise some other scheme. So this scheme was dev[…]
