[…]bey 51:09 So he lived up to his reputation. Elizabeth Bale 51:13 Ginger, he did. And then he went to Thames, didn't he? He did when Jim knew him. Nick Gilbey 51:23 No, there'll be many references to Mr. Cowgill. Elizabe[…]
[…]o much.Unknown Speaker 14:07 And it said Secretary required for sorry, film studio. And I thought, I think we've got a studio in both Nan Thames where of course I lived. So I thought. Wouldn't it be great if I just had to go there. So the interview was in cardigan square. And it was an A[…]
[…]ographer there, there’s a shot in the boat, where it’s just the head and shoulders shot, and there’s a window at the back and as they’re going up the Thames and Phil said there was some kind of Saharan dust cloud or there was some problem on the continent, which created, on that very day, the sky to[…]
[…]of it. Tim Aymes 5:36 Just Cecil Hepworth produced talking pictures every friday from that 1907 the studios at Walton On , Thames. They are all sort of incredible experiences. Stanley Watkins 5:47 You see, the trouble, trouble with the early atte[…]
[…]wful lot of film material, probably all of it, was being shot on 16mm Kodak negative film at the BBC. In fact, I also knew the chief technical guy at Thames TV, and they were doing it as well.PF: Okay. Thanks. I think that pretty much covers all our questions. Is there anything that you can think of[…]
[…]nbsp;14:30 So what was your role within the department? I startedSpeaker 1 14:32 as a script editor. Barry Hanson had left to go to Thames and therefore his script editor Tara Prem, became the producer of Second City first, obviously reporting to David who was generally was was res[…]
[…] the copyright of this is in the British entertainment history project and numbers 747. John, you it will own in SunburySpeaker 2 0:22 on Thames, which is was at that time in the sort of centre of all the film studios there was Shepparton metal folds Twickenham, you name it there were al[…]
[…]ith ATV I should think. PB-C: Sure. DB: Yes, I’d agree with that. When I first went outside the BBC, where I’d been born and brought up, to Thames, the difference there was just extraordinary, I mean every inch of carpet was checked and measured and costed, you know. PB-C: Yeah, yeah.[…]
[…]he Great War, where IWM was one of the co-producers and Noble Frankland was, I think, one of the historical advisors, and in the 1970s came along the Thames Television Great War series, which was kind of The Great War but more so because Jeremy Isaacs and his team working on the Great War wanted to […]
[…]t that time it went on at 7.30. Fine. Down here it went on at midnight. Now that was because there was this jealousy of prime time. Thames wanted their own programmes at that time. Nothing against us, but you ain’t going there and picking our best time. So, that wouldn’[…]
