[…]ple and suddenly...When suddenly...It was quite isolated.In home, where were you living?We were told not to go back. We were still, we were living at Thames Ditton.Y es.At that time. We had a, had a flat there when we got married, quite a nice little flat,and really I was told at that stage, it was […]
[…]he Great War, where IWM was one of the co-producers and Noble Frankland was, I think, one of the historical advisors, and in the 1970s came along the Thames Television Great War series, which was kind of The Great War but more so because Jeremy Isaacs and his team working on the Great War wanted to […]
[…]us being just an actor. But in point of fact not at all, he behaved just like any other reasonable actor. I always remember on the floor at Walton on Thames where we were shooting Harry Watt was directing but he was directing on the other unit and I wanted him to direct another episode and he said h[…]
[…] actor. I always remember on the floor at Walton on Thames where we were shooting, Harry Watt was directing but […]
[…]ith ATV I should think. PB-C: Sure. DB: Yes, I’d agree with that. When I first went outside the BBC, where I’d been born and brought up, to Thames, the difference there was just extraordinary, I mean every inch of carpet was checked and measured and costed, you know. PB-C: Yeah, yeah.[…]
[…]10 pounds a week. And the advantage was that you work with every single company there was I mean, we're Granada you work with the BBC, you work with ATV you worked with ABC you worked, you know, so you were going around all over the place. And whilst the cameraman loathed you because they had to lif[…]
[…]nyway, so that particular period you must have been very, very busy...Peggy Gick: Oh gosh, yes I was...John Legard: ...and this is the early days of ITV and they were mostly shot in black and white weren't they? I mean, we were still in the black and white days virtually, 'cause colour didn't come i[…]
This transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of […]
[…] freelance. And the films I did with him, the first one we did at Walton, a film with Gene GerrardAlan Lawson: Which studioFreddie Francis: Walton on Thames, where dear old Geoff Faithful was the resident cameraman and dear old Arthur Grant was his camera operator. That was one film and I did two mo[…]
