[…]produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this inter[…]
HISTORY PROJECT - ADOLPH SIMON​[TIME CODE IN ELAPSED TIME]​SIDE 1​Q:​This is the recording by the ACTT History Project on the 16th of October 1987, with Monsieur Adolph Simon, originally French, but now a long resident in England. Mr Simon, tell me when and where were you born? 00:00:20​AD[…]
INTERVIEWEE: JOE McGRATHQ:    Identify yourself  00:00:06 JOE:  Yes the name is Joseph Joe - Joe McGrath, born 1928 in Glasgow.  Do I have to say anything else? Q:    No but I’ve got March 28th 1930 00:00:20 JOE:  Oh w[…]
BECTU History Project Interview no: 251 Interviewee: Anne V Coates Interviewer: Roy Fowler Duration: 9:59:37
The interview was conducted over five days, non-consecutive, without a tape change at the end of each session so that they run through.
Session 1: 20.05.1992 Session 2: 29.05.1992 Sessi[…]
[…]ip Donnellan – documentary, writer, producerInterview Date(s): 28 & 29 June 1991Interview number: 206Interviewer: Colin MoffatSide 1Colin Moffat: The copyright of this recording is vested in the ACTT History Project. Philip Donnellan: television documentary producer, director. Record[…]
[…]ngInterview with Barbara Emary, in her home, 5th July 1988Interviewer Bob AllenSIDE 1, TAPE 1BA : Perhaps you could tell us when you first ca me into the film industry, how you got interested in filmmaking, what lead you - into it.BE: The most interesting thing is that as a teenager I was all agains[…]
HP0056 Betty Batchelor – Transcript.Copyright is vested in the BECTU History project, recorded at Glebelands on 22rd August 1988, interviewer Sidney Cole [with Roy Fowler] SIDE 1, TAPE 1Sid Cole: Could we talk about you, you've been at Glebelands for 11 years.Betty Bachelor: Yes, I had 3 years […]
[…] given to television directors in those days. Kenneth Tynan, in The Observer, said it was one film that might have changed […]
