Search Results for: The Quiller Memorandum (1966) and 'Guns at Batasi' (1964).

[…]                         The copyright of this recording is vested in the Bectu History Project. Joe Busuttli - Studio Electrician, Artist, man of many different talents.[…]

[…]son: West Ham. When?Cyril Page: 15th November, 1920(?)...1920...so I'll be 75 next week.Alan Lawson: Um...And schooling?Cyril Page: Er...I went to er the er Holbrook Road School, then I went to the Pallais[?] Memorial School...er...and then there, we moved to Brentwood and I went to the Brentwood Gr[…]

 Interview with Aida Young The copyright of this recording is vested in the BECTU History Project. Aida Young, film and TV series producer. Interviewer Teddy Darvas.                       Recorded on the 29th September 1[…]

Side 1Alan Lawson.The copyright of this recording is vested in the BECTU history project.  Gerry Humphries, sound recordist, dubbing mixer, managing director of Twickenham Film Studios.  Interviewer Alan Lawson.  Recorded on the 21st August 1995.  Side one.Now, first Gerry when a[…]

[…] - Interview No. 363 [Copyright BECTU]  Transcription Date: 1998-12Interview Date: First 3 sides recorded in 1993 by Toby Haggith from the Imperial War Museum. Side 4 was recorded on the 27 th July 1995 by Rodney Geisler from the BECTU History Project    Interviewe[…]

[…]2002-08-16Interview Date: 1995-08-02Interviewer: Sydney SamuelsonInterviewee: Erica MastersTape 1, Side 1Sydney Samuelson: Well we're sitting here on the 2nd August 1995. We're in the meeting room of the British Film Commission, at 70, Baker Street in London, and the interviewee is no less than Miss[…]

Dave Robson  0:00  racter The subject is Richard Marden, documentary and Feature Film Editor. He has also worked in sound department interviewed by John Legard, the date is 17 to January 1996. This is side one, and it's file number 361.Alan Legard  0:29  Dick. Now, perhaps you co[…]

[…]produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this inter[…]