[…]cause he was a wonderful comic and he was a wonderful guy! And I remember being in Dundee at Dundee Palace and looking up the road one day out of the theatre and I saw this removal van and on top of the removal van was three legs and a camera on top and it was held by ropes on top of the van and it […]
[…]volved backstage there. And in that, in that group were a couple of people in the sound department. One was Ken Rawkins, who was the boom operator in theatre five, the ADR effects theatre at Pinewood. And another was Arthur Smith. Both of them lived in my road and Arthur Smith was, not sure exactly […]
[…]'s right on the edge doesn't matter, but it will be changed because he, he was that sort of person, and you go in to carry a message into the dubbing theatre, and he'd engage you in conversation, and nothing to do with what he was doing. And everybody was impatiently waiting. dubbing mixer was drumm[…]
[…] leave. I said I will stay to the end of the tour if you like or if you want me to piss off now I'll go now. The next morning, this was in the King's Theatre, Southsea, I was called up to Mrs Phillips and we went up into the dress circle and we sat there and she said what's this all about . And she […]
[…]he used to write scripts, but and then there was Bill. So we knew them well, too. But they were all involved in always, we're all involved in film or theatre for that matter. And, anyway, so, yeah. Other well known people, I mean, the people he would come by that, you know, Wellington house, which i[…]
[…]Francis Ford Coppola was running Napoleon with a 60 piece orchestra at in the one of the great big establishments in in Hollywood, a little art house theatre called the new art was running a reconstituted copy of loud room. And I'd never seen it. And so I went down to the new art theater as an elder[…]
[…]ck was dashed out to the field, in the middle of a nearby field there. Next morning it was a sorry, sorry picture, it really was. But the theatre, alongside the sound building, in a separate block, was the theatre where they did all the rushes. Well, between this we converted that […]
[…]:06 I think it was 1947 I think we when we did the third man and I had a very similar bill to Joseph Cotton. And I went over to the west tracks theatre and I used to watch the film and I loop and I would then go into the little alleyway outside the theatre and record the footsteps for the serv[…]
