Search Results for: Theatre

[…] Palace, at Stoll studios, we shot in the Sadler's Wells Theatre with the Sadler's Wells ballet company, we were doing […]

[…] was when I was still at the LSE. An assistant theatre director, who had worked with Dean, directed a production […]

[…] that David surrounded himself with people who actually didn't come from television. Barry Hansen, his first script editor, came from the Royal Court Theatre, Tara Prem, who and Barry started producing came in as Script Editor also come from the theatre. I came in actually, as my experience was edit[…]

[…]or, which I think they did better than we did with Mr. Richards.  [Laughter]MIKE DICK:  So, you said that you drew your theatrical, love of theatre from your Mum.PETE MURRAY:  I think so, yes.  MIKE DICK:  How did you develop your acting skills then? PETE MURRAY:  […]

[…]ornings, so that you were able to learn to speak properly, and be er, you will learn the plays of Shakespeare, and you will learn something about the theatre, which of course I did. Erm..and my co- er…pupils were Lesley Phillips, Richard Todd, and George Coal, who of all made names for themselves as[…]

[…]er[?] I think his name was, I don't know...Anyway, errm...he had this colour. He was processing colour, and they shot it in the studio...in the Crown Theatre...Alan Lawson: Oh yes?Cyril Page: The Crown Theatre in Wardour Street...Alan Lawson: Yes, just across the road...Cyril Page: Anyway, we had a […]

[…] I can sleep through anything, including a bomb. So I applied for this job because I was very interested in film, I was a member of the National Film Theatre and I would goto the Academy and wherever one went, the Everyman, and so... Then it was in the days of Ernest Lindgren who was the curato[…]

[…]i boarded at one stage, for convenience sake, no, but a lot of time I was there it was wartime. I was going backwards and forwards carrying props for theatre, rather taking off shrubbery with me on the path. Theatre,but we were doing plays. We had taken props, I was always involved with things like […]

[…]no problems with it, but it will be very dull and boring after a time.  So, basically, I did with Marat/Sade … Peter had decided… because in the theatre you’ve got this…you know the play is about these lunatics that were organised by the Marquis de Sade who was in the same asylum at Charenton t[…]