[…] Compton Street, the door under which the doors were always clustered, one or two of the girls. And the the office was in, in Soho square, and we use theatres in Water Street. So I was all often in the position of walking with film cans under my arm to either a theatre or, or to go and see Jimmy Car[…]
[…]mes and is emerging. And you were straight into close-ups of model shots or something like that, it was all pretty feeble, and I spent a long time in theatres in Wardour Street, finding particular shots for things, and Mickey was enormously pleased with this. And there was one charming moment when w[…]
[…]yself in a situation first of all that the studio was very run down and to his credit Kenneth Shipman said you cannot have a studio without a dubbing theatre. And we built the first dubbing theatre, to his credit he built a dubbing theatre, my father used to say you cannot have a studio without a du[…]
[…] to be stored in different locations, but the interview numbering Theatre Museum oral history collection Sue has heard from V&A […]
[…] to be stored in different locations, but the interview numbering Theatre Muse um oral history collection Sue has heard from […]
[…] data • Transcribed automatically • Uploaded to BFI • Proofread Theatre Museum oral history collection Sue reported that t here […]
[…] (Bill Ryan) recommended he had an operation and the Windmill theatre paid. He was back at work after 6 weeks. […]
[…] very quickly, I mean we were actually dubbing in the theatre in June, after I'd come back at the end […]
[…] first job was as a projectionist in a 16mm dubbing theatre. Almost all documentaries were shot on 16mm in those […]
