[…] and said I'm not coming back.SC: Do you think you learned anything from that.CC: Yes, I learned to be jolly careful about going to America. SC : The Third Secret.CC: The Third Secret yet another picture I really made because I needed a job. I think it was quite an interesting picture. They still sh[…]
[…]t sort of equipment was being used. And, yeah, information of that nature. Geoff Labram  0:49  Certainly I suppose for about the first third of my time here, there were production crews and equipment in use. So part of the department's effort obviously was deployed on that side of thi[…]
[…] biggest hirers of equipment anywhere in the world, because they had branches all over, and Sydney when he started was my ------ [END OF SECOND SIDE][THIRD SIDE]DB. You never aspired to going up the next stage - to directing anything?PS. No, not really; it didn't seem to me to offer what my line did[…]
[…]bsp;singing fool. Huh, yes, Johnson,Unknown Speaker  15:08  no gel on that one. Okay,Roy Fowler  15:13  right? Well, then school, third, no matric, but then whatSpeaker 1  15:20  I've covered, oh, dear, hang about, can I cover the period of being with my uncle? No,Roy F[…]
[…]oyed what we laughingly called poor whites, the poor whites, being the local settlers, who the Americans could not afford to send certain grades like third assistants and Chapel boys and still photographers. And I ended up as still photographer for MGM, which was very fine, and Kane gave me a chance[…]
[…].Unknown Speaker  26:13  Which King built?Unknown Speaker  26:15  Built that? I think at Brighton, that pavilion? Yes, George the Third,Unknown Speaker  26:22  I think was he was the thirdUnknown Speaker  26:25  gentleman, or George the second. It's one of the[…]
[…]ake the tracks there and start winding through and cutting all the tracks, perhaps a dozen tracks you know. And, Gabby says something about the third drumbeat down is not as good as the rest. [LAUGHTER]ALAN LAWSON: That’s typical Pascal.HARRY MILLER: And I’ve got all these tracks there a[…]
[…]until 1936 and that was at an ACTT lecture which I gave. I then went to Ealing and I worked on some films they used three cameras and I worked on the third camera as operator. That was on the first two films. Then after that somehow or other Dean decided I was quite a reasonable person to have aroun[…]
[…] with ‘the base salary for the costume designer nearly one third less than an entering production designer’ in Hollywood today […]
[…]days. And he just sort of sat there waiting for how do we do this? And what's the alternative that that is a faster way to censor? And the end of the third day, we were both asking him questions, which you didn't know the answers to, because it was a bit beyond the basic. And yes, it was a bit slow […]
