Clyde Jeavons

[…]sby, whom I’d been at college with as well. He got one of those rare Granada internships and things like that, which I failed to do. So like all good third class honours arts graduates I became a journalist. Which was what you did then. And you needed to get a degree to get a lot of jobs, something […]

Virginia McKenna

[…]ts and lots of people went up for this part of Mrs Anna and the list was getting a bit smaller. I think there were about five of us left by then. The third audition had to be in New York because it had to be in front of Yul Brynner and Hammerstein Jr. and Richard Rogers.[134] So, can you imagine – I[…]

Roy Fowler

[…]ppose I should add that I was a mad campaigner for the Labour campaign, the Labour Party in the ’45 election especially with Peter Cotes, who was the third Boulting brother and I kind of road Peter’s coat-tails dashing from meeting to meeting where he was a very fiery speaker, very impassioned and I[…]

Richard Marden

[…]man but he thought Had no connection to the film world and thought it was rather fast. And he was a scientfic  frame of mind, but much more of a third and I went into some sort of other profession. But I used to pop him off by saying I did want to get into movies. But I wanted to get to the sci[…]

Rodney Giesler

[…]ys, and went to intensive classes at night school and got a working knowledge of it. Then Donald said, very sorry, it's all collapsed. After about my third or fourth film I was getting rather tired of coal dust, and felt I wanted to go further afield. I knew Peter (de Normanville) and Sarah, and the[…]

Pat Jackson

[…]-enacted scene, you see. But again, you got this wonderful vernacular and you got these marvellous faces of these boys, you see...these kids who were third generation, fourth generation miners' families, you see, and it's quite matchless. And I remember... a typical example of what I'm trying to say[…]

Ronnie Noble

[…]bsp;to the coverage they had to be right. You didn't have a second roll of third. He couldn't do it again. And that was a pretty good way of learning […]

Maurice Carter

[…]the film had even been shot on.So from then on they had to shoot with two ships and at the end of the picture it wassupposed we could superimpose the third ship on the scenes shot but of course what theyhad forgotten was that they were shooting from a ship, another boat, and it was rising andfalling[…]
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