[…] For I'd already once worked for John Braybourne when I was sound editor one sound editor with Malcolm Cooke on Harry Black and the Tiger, which way back in the 50s sevenish. I think it was 58. And I'm digressing going backward. First up, do you remember that? JOHN Brabourne's &nbs[…]
[…]hat was going on anywhere else heard if you've been out of work, which you did. You didn't know to go to find a job. Because you didn't anybody else. Tiger in studio. So that there was this was another added difficulty. Anything else? What's the next thing? Linda Wood 21:25Do you remember[…]
[…]were on your own. You had to make it work somehow. No matter what failed, what equipment failed, you had to make it work. I mean, you couldn't say to Tiger Woods, you know, excuse me, Mr. Woods, I wasn't quite ready for the winning pup. Can you nip out there and do it again? You know. Do you think t[…]
[…]rom a sort of interest point of view. So I went to work anyway, with John Pointer on a film that Charles Crichton was directing called he who rides a tiger. And we will I went to work with John Pointer, the dubbing editor, Sound Editor, on that film, which was being made at Twickenham studios. And s[…]
[…]ing so what I try to technicolourAlf Cooper 41:48 when negotiations I told him I said God didn't put our in our hours to anger Sonic free Tiger for now when you want us to work that's why they wanted his money oh yeah that's another aspect is and he gave me he came back from Hollywood on[…]
[…]bsp;Julia Cave: [laughter]Norman Swallow: [laughter]Alan Lawson: [laughter]Julia Cave: At that time, my mother who’d worked for Eleanor Glynn, at the Tiger Skin, which is how she ended up in films. Her daughter was Juliet Rhys-Williams who was in fact a Liberal Member of Parliament and she was[…]
