[…]you started off in the camera department became a cameraman. And that you ended up as the producer of those specialised films 50 years is quite time, how did it all begin?John Wiles 0:43 Well, I suppose it began really with my, as a kid I had an interest in in films, I was always t[…]
[…]they let me sleep through it. And on the very I went up knocked on all the doors all the studios I went up to see is it D C Sewell head of sound. The time they were producing the wicked Lady 1946. Mason & Grainger to Ealing. I didn't even get an interview at Ealing. The various documentary[…]
[…] in 1930 I started at Gainsborough studios in Islam what made you chuck up first and go there? Or I, I absolutely just love photography doing at that time. Stills no but when I was I suppose as young as about 17 or 18, I joined an amateur Film Society. I think it was cool, the amateur Film Society. […]
[…] who used to call the Will Hay comedies bloody Tiny Tim weeklies RF: Was that just his pe rsona or […]
[…]ng really about then because I was three when we left, because that's when war broke out. So really, my earliest memories are coming down towards non Tim's when my father was born. And he thought it would be a good idea to get us out of London obviously didn't work out that well, because that was on[…]
[…] an animator there called Wally crook, who, as far as I know of her background, she worked at Anson and Daya in Hammersmith, and improbably worked at Tim Harrison, Bachelor and possibly Larkins before she came to permanently in studios. And so I worked with her at the studios at the time, and I went[…]
Bernard Ponsonby - Transcript [Interviewer is Tim Amyes, Date of Recording 07 07 2018] [Start of Recording] [00:00] I: Copyright of this recording is vested in the Scottish Broadcasting Heritage Group. The name of the interviewee is Bernard Ponsonby who is Political... R: Ed[…]
