[…]t maintaining my camera and so on. And I suddenly got a call from the stage they said, Oh, you've got to go on takeover on stage from, I think it was Tony ballsbridge I think was the system because he's sick. So you've got to go on that set. And it was it was kind of legendary that result in who was[…]
[…]at she also enjoyed her alcohol and cigarettes but she, she remained and she had her family her daughter we knew who married she married a guy called Tony Wright, who was a rank star at the time. Didn't really amount to very much to be totally honest. Anyway, then, so surely they would Tony had a ve[…]
[…]at the same time I found it very difficult to come to terms with the standards that the BBC were operating I, I've come from a regime and people like Tony Lumpkin, who would make you balance compressors twice a day, and they had to be within half a dB. And if it wasn't, and you didn't do it, your fa[…]
[…]ard of ACT Films, and he had a very startling thing to put to us. And can I remember there was that was Elvin and Charles Wheeler and myself, I think Tony Asquith, Sid Cole, I think Max Anderson had died by the time this happened, you know, But a very great mixture, really, of political attitudes. A[…]
[…] beer, whatever. And on Tuesdays and Fridays in the evenings, anybody wanting to do a turn could you stand up and do a turn. That's where I first saw Tony Hancock work before he went to The Windmill. Like many comedians, most I think, he started as an impressionist, Harry Secombe started as an impre[…]
[…]ly that's what a producer's for, he's got to be in charge of the script and says what goes in and what doesn't go in." So he then went off to go with Tony Newley in 'The Roar of the Greasepaint, The Smell of the Crowd'. Well the two of them, they were too alike, they were two little cock sparrows, n[…]
[…] go in." So he then went off to go with Tony Newley in 'The Roar of the Greasepaint, The Smell […]
[…]professionally finished, and I had taken responsibility for it.Then, about that time the BFI did sponsor some films and they sponsored Karel Reisz andTony Richardson, who wanted to make a film about a jazz club, Momma Don 't Allow, Wood Green, the Chris Barber band. And we ended up, by chance or des[…]
[…] did sponsor some films and they sponsored Karel Reisz and Tony Richardson, who wanted to make a film about a […]
