[…] during the war years he worked his way around through and after the war even as he was doing a bit of directing. Alex Price was there a long time. . Tony Cummings came there. Bill Gillette was there as a producer. John Cox who was head of sound at Sheppertonwas a mixer there and so was George[…]
[…] line stuff. I never saw it and I vowed from that day on that I would finish my own films, which got me into a lot of trouble, because it interrupted Tony Essex or whoever it was who was supervising. We didn't like each other at all. In fact I wasn't very popular on the programme at all, we didn't g[…]
[…]y welcome interlude in my time with Derek Knight, but it wasn't too good. The income was very unsure, and then I was lucky enough to be introduced by Tony Squire. Very good writer of documentaries, who had, again, I think, worked at the Grand Film Unit in his time and had done a lot of second unit w[…]
[…] suppose.John Taylor: What about the other people, Grace WyndhamÂGoldie, did you have any contact.Bill Cotton Jr: Yes. Loved her, she was great. When TonyJay left she came up to me after one weekly review, youknow the BBC have this Wednesday weekly review programme, Wednesday review meeting where we[…]
[…] going down to Stoll's Studios, to see a chap called Tony Asquith. He's doing a film down there. They are […]
[…]42 was the year my mother died I must havedied is about just over nearly 15 and it's these things. far as I remember Teddy wasn't there now. Who else Tony Harvey was at Highgate but he was younger than I and I I saw him once reall because he played the dauphion in a school production of […]
[…]our talent as soon as the orchestra leave the pit. And that has stuck in my mind. And I actually had one of the most embarrassing moments in my life, Tony Guthrie used to come up and direct and he directed a play of his called Top of the Ladder which eventually went to the West End, because he'd bee[…]
[…]worked on Panorama then? JG No, it was before he went to Panorama. AL I see. JG Because, then the Tonight programme started, and Tony Essex, who had been an editor at Ealing, who was, and was cutting a lot of things for Bavistock, and Aidan Crawley [indistinct], I remember, and […]
[…]7:18 Well, we're going to use a lot of pictures. Yes, we're going to come to those.Unknown Speaker 7:23 Yes, we're going to come to Tony's pictures later.Unknown Speaker 7:28 Can you can you remember, you know Tony's method of working?Unknown Speaker 7:35 Wh[…]
