[…]very nasty way of doing what he did. Ididn't want to work on it . Anyway the upshot was that I did work on ithaving made one rather foolish remark to Tony Richardson and HarrySalzman. They said have you read the script and I said yes and they saidwhat did you think of it and I said that I didn't lik[…]
[…]n I went back there and then I left because the head waiter had left - Harry Brown had left - he was as good as gold, and it sort of changed and then Tony left and it changed and then I left and I went and worked in the Strand Palace. I had some good times there as well. Yes, the old chi[…]
[…] boiled down to that, and it was something I in believed strongly then because we always were working off script, and I passed it on. But it fell on stony ground, I'm sorry to say apparently. [00:34:38] I: Can we ask you who follow you on? [00:34:40] Do you know I don't know his name. He..[…]
[…]version.Sidney Cole: Who was directing it?Kay Mander: That's a very good question. Pat Roc was in it, it was her first big film.Sidney Cole: Was it Antony Asquith.Kay Mander: No.Sidney Cole: I remember the title 'Taras Bulba' it's been remade several times in fact, here and on the continent.Kay Mand[…]
[…]s a story of, roughly, Lucille Ball arriving in London and being met by a man who's been allotted to her as to take her round. And it turns out to be Tony newly in a motorbike, in a sidecar motorbike, and anyway, many actors turned up on it, as I say, Tony, newly James Robertson justice, or a whole […]
