[…]m Side 1 & 2]. 00:22:10 – 00:30:40AL: Can we ask you how you approach, you know, lighting a new film. What is your approach to it?FY: Well I try to, you know, read the script and you discuss things with the director and what I try to do is to light it as it should be naturally lit. If[…]
[…] closed minds. And what we all knew about I think, was writers, and how to talk to writers. And, and how to, I wouldn't say bring them on, but how to try and do the best possible work with them. So the ethos was, was was very open. For example, I mean, David did live up there in Birmingham. I mean, […]
[…]ons to organise, they've not got a large workplace with a large group of workers in the same place that they can recruit and organise. They've got to try and go out and find people to educate people about trade unions. A lot of younger people aren't aware about the importance of trade unions. But th[…]
[…]nderlined free secondary education so that’s I think why the school was called after him.SUE MALDEN: It makes sense. So, was it hard work trying to keep down a full-time job working in the library and doing the qualifications part-time or did you get much support from the library for tha[…]
[…]and her daughter was going to the Royal Academy and she said “You know, Peter loves acting, do you think he could … why doesn’t he go to the RADA and try to get in to the RADA.” Now, you have to remember, I was so shy I couldn’t put two words together and I mean it. I was by then 15, 16,[…]
[…];Graham Hartstone 0:13 1961. Yes. Jim Betteridge 0:14 When you when you entered the industry. Graham Hartstone 0:16 Yes. Jim Betteridge 0:17 So how old were you at that point?&nbs[…]
[…] who was the, at that point, the Big Chief, so to speak in children's films. KM: British Instructional? MO: children's story films, and Paul had been trying to get her to give him, or to work with him, on I don't quite know what the idea was, but he had. So I was put through to Paul as Mary Fields. […]
[…]er and applied for money from Channel 4.[0:05:02]And, I know you’ve told us before, not in the interview. What was it that got you into the film industry, film business?It was really, somebody, a friend of mine in, in UCLA, wrote to me and said, ‘Youshould think about applying for the National Film […]
[…]rge Humphries lab’. And I said ‘what is it?’ and he said ‘an assistant in a laboratory for processing film.NA: So was this connected to the film industry were they processing film publicity stills or?CL: Oh no, no, they were doing they were doing newsreels and feature films for processing/NA: yeah y[…]
[…] late father, Leslie Faber - I think it might be opportune to tell you a little bit about him because he was quite a character, certainly in the industry. He had a pretty chequered career before the war. I remember that in my youth we had a couple of cut price cigarette and Sweet shops in Liverpool,[…]
