[…]m an okapi which had just come over here, it was some weird animal, a bit like a zebra. And I didn't know until some years afterwards he was there to try me out to see whether I could drink or not! He was quite a drinker himself. After the job we went to a nearby pub. Anyway I managed to satisfy him[…]
[…]he wide world which was by then, like every child that used to go to the pictures two or three times a week I certainly wanted to be in the film industry and had written all the usual letters to Rank and to Sound City at Shepperton, any names I could get that were appertaining to the film industry I[…]
[…]’t hold. [Laughter] But anyhow I kicked a very large space, I was going so fastthat I got right out in to the thin part in the channel you see, I was trying to sort of fight my way back to some hard ice. And some, somebody, a young man was walking along on the banks in the, on the mainland had just […]
[…]sp;10:28  I just missed the new lot. Because that just finished yet. Carol was there for about what couple of weeks? Yeah. In and out of the country. But it was complete. And then he went and made it remade it as the way ahead. Yes. Yes. In a student. Yeah.Alan Lawson  10:50  Yes. Any[…]
[…]at I wanted to do.So I left school and I was more than ever determined that this was at what I wanted to do, but as you probably knew, there was no entry, you had to break your way in, or scrounge your way in or know somebody. And I knew nobody at the time. Suddenly a couple of elderly ladies who ha[…]
[…]e been because he died was born. So it must have been somewhere in the Warrington area. I was put on my passport latchworth and I had some difficulty trying to renew the passport in Dhaka when the British Embassy couldn't find a Latchworth. But eventually they got Israel first off. Anyway, my father[…]
[…]roject. It is the 19th of November 1991. We are in Chartridge in Buckinghamshire at the home of Cedric Dawe, an Art Director whose career in the industry goes back to 1932, but we will start at the very beginning. Cedric would you tell us when and where you were born?C. D. From the very beginning, I[…]
[…] unshowable, obviously silent films ..John Legard: Special type of editor it sounds like.Teddy Darvas: That's right, unshowable, you had to try and make it showable and if it was showable you got paid. And one of Zoli's stories, and his language was very fruity, one of his stories was that[…]
[…]e whole business of film criticism which now exists, what as a vice really, every magazine has its film critic whether or not they know anything, all trying to be a journalist, and none of this existed then. And we, Peter and I, and then Gavin whom I brought in to it, whom I knew, we wrote Sequence […]
[…]gs for perfection, are connected with his time building of houses. The Depression came, and it broke him.  And then we retreated to the country, the three of us to a rather isolated house on the high piece of land called The Ridgeway.  The only lights that we could see at night, […]
