Margaret Thomson

[…]f of what we now know as the... I can't think what to say... European Community, EEC (laughter). And he was also, he also wrote books on town and country planning. Anyhow, he gathered around him, a few people, of which I was the filmmaker and others were journalists. And we were working on programme[…]

Albert Critoph

[…], and even in those days, to get a job as a cinema page boy to start with was just like, just a hard job to get into the cinema in any way, just like trying to get into the print so, fortunate enough, my uncle was a taxi driver and also run a confectionary  shop as well, or his wife did. And ca[…]

John Shearman

[…]ls or digs or whatever you could find wherever you ended the day, because of railway making, railway films, necessarily involves moving about the country of great deals. Did you have a budget for them?Unknown Speaker  6:16  We had an overall budget. What do you mean a departmental function[…]

Harry Miller

[…] go to get some silks or things for lampshades or things, or different things for the set, you know?  And that was my first job in the film industry.ALAN LAWSON: So really your transport problem was partly solved then of getting to Elstree?HARRY MILLER: Not really, I still had to catch the trai[…]

Freddie Young

[…]m Side 1 & 2]. 00:22:10 – 00:30:40AL: Can we ask you how you approach, you know, lighting a new film. What is your approach to it?FY: Well I try to, you know, read the script and you discuss things with the director and what I try to do is to light it as it should be naturally lit.  If[…]

Larry Allen

[…] "Right, cartoons are a costly labour thing, I'll have to try and find out how I can make a machine […]

Ivor Montagu

[…] rarely were staged, and when they were staged they would try to look as documentary as possible because they were... […]

Hugh Stewart

[…] if it's going to be like this, I'm going to try something else." Frances said, "Well you ran a school […]
Scroll to Top