[…] version does take an amount of time however. Personally I try to get all the technical terms correct along with […]
[…] it feels more fitting to swoon and covet than to try to analyse. A very elegant and attractive woman herself- […]
[…] company. It's very much done on who you know. Somebody will will recommend you to somebody, and they'll then get in touch that part of the film industry still exists where a lot of it is word of mouth, and they'll give you a brief or they'll send you the whole breakdown for the crowd, for the film,[…]
[…]. Now, in that period in the early seventies you were in parallel with the British Film Institute National Film and Television Archive presumably.I'm trying to remind myself who was actually Head of the National Film and Television Archive at that time when I think-AF:  Well when I started it w[…]
[…] to take a big decision, and I basically decided I read the King weekly at the Abbey gate and all these adverts for projectionists all around the country and everything. And I decided, right, this is it. I'm leaving home, and I literally packed a few things into a case, bagged a lift from the local […]
[…]It was quite newsy. There was a lot of political stories aboutUnknown Speaker  8:51  the reactions within the Unionist Party. Thompson Neil trying to get reforms through.Unknown Speaker  8:59  And the opposition he met within the party,Unknown Speaker  9:03  the birth a[…]
[…]sp;1:05  What about honours?Unknown Speaker  1:07  No. Excellent.Speaker 2  1:09  Well, um, what started you off in the industry? What was your interest? How did you become interested?Speaker 1  1:18  Well, it's quite accidental, really, because I left school at 15[…]
[…] your place of birth and nationality?Speaker 2  0:34  My name is Matt. Matthew Ervin in full. I was born in July 1948. In London on my ancestry, it goes back to New Zealand.Speaker 1  0:47  And what sort of family were you born into?Speaker 2  0:52  My family I was the […]
[…]e. Third best is going colour interpostive-colour internegative.PF: Brilliant. So, looking at long-term preservation of film, how active are the industry in that role as you see it? Obviously it became an issue, sort of, in the late-‘70s when they were becoming more aware of the issues of Eastmancol[…]