[…] Birthday Hollywood' - I don't know of that, I must try and get a copy. Ella Mallett : They've had […]
[…]ols ITV, the Network Scheduling Group, because I played rugby and had no interest in football I was the only voice against it but we spent our budget trying to compete with Sky and we should have not tried at all because what we did was to thin out our Drama budgets, for example, and that was, nine […]
[…]mmes dedicated for that. They had a Film Department. John Gow worked there, as did Steve Beck so there's a lot of people that I know through the industry came through that door, if you like. Unfortunately that door slammed in my face very quickly after about a year and a half. First cuts and it was […]
[…]And I suppose I immediately said: “I want to be a Continuity Girl.” “Ahh, I will make you the finest Continuity Girl in the business, in the country.” Said he.(TIME 10.59) “So, you are to work with me.” I said: “Well, I actually work forTwo Cities, and I work for Guido.”&nbs[…]
[…]und and how you came to be in the business. Barry Quinton: My family background basically is that my mother and father were not in the industry at all. My mother's brother met his future wife whilst working at the Leicester Square Theatre, which today is the Odeon West End, in the mid[…]
[…]we’re interviewing for the BECTU History Project, Jim WHITTELL. I hardly need to explain what his long involvement and contribution to the industry is, but we’re going to find out because of the questions that I have. And I’d like to start by saying well you come from up north don’t you,[…]
[…]was fitted for a bodice to give her a waist; JR felt that the cameraman’s opinion on her work was most valuable; her role as a woman in the film industry; after The Entertainer JR began painting seriously again; John Osborne left JR for Penelope Gilliatt; JR continues to talk about her relationship […]