[…]n, which was quite a handy journey, come in on the bus in the morning, I didn't have a car then. After that MGM loaned Freddy Young and myself out to Twentieth Century Fox for a film called Escape with Rex Harrison at Denham. Freddy Young used to give me a life down to the studio every day[…]
[…]rades. I saw a lot of movies, corresponded bit by bit with people. Already was, when I was still at school I was writing. I became a reader for Twentieth Century Fox when I was sixteen so I’ve always had that kind of connection with, mm, with the industry. I was, at sixteen, seventeen I was al[…]
[…]Well, that was an interesting thing … that was sort of odd thing, the combination of the Jews and the Arabs working together. The Jews represented by Twentieth Century Fox and the Arabs, Dodi Fayed. And the interesting thing was that at one point when the wardrobe had overspent on budget or somethin[…]
[…]he Americans went back and took their money with them you know. And I went and joined Dennis Holt with Elliott Kastner who was going to do a film for Twentieth Century Fox, which was called 11 Harrowhouse - complete flop, absolute. And that had Charles Grodin and Candice Bergen, and she was a - ohhh[…]
[…]lvery straightforward and very nice experience. The Guinea Pig wasalright. Then we come to Britannia Mews. Britannia Mews was an Americanfilm made by Twentieth Century Fox, directed by Jean Negulesco. And thiswas a very hair raising experience in several ways, psychologically andphysically. It was m[…]
[…] had a spell in Hollywood in the early 1950s with Twentieth Century Fox, including directing Don’t Bother To Knock , with Marily […]
[…]Watcher in the woods, which wasn't very good. And from then on i've sort of fiddle around doing odd bits and pieces, the i's sort of did watchdog for Fox, on some stuff that Roy Skates? did a series of horror movies. Then I did sort of London contact for Inside the Third Reich, which is a television[…]
