Search Results for: Twickenham

[…]nneth went completely off the rails, in the nicest possible way, went in for witchcraft and all that sort of thing and sexy films with Guido Cohen at Twickenham. Gerald, who was my friend, was very much more conventional and very woof woof. And Mick was very fond of those two boys. They got involved[…]

[…]told Jim Day that KA was looking to get into the industry; KA began at Riverside Studios working on the film This Was a Woman; he then transferred to Twickenham in 1947 and his first film as draughtsman was The Brass Monkey for which he was asked to design some of the sets; he then worked on The Que[…]

[…], yes.Mary Harvey DRAFT. Tape 1 Side B44Mary Harvey DRAFT. Tape 1 Side BAnd started working again. And, and then, after a few years there we moved to Twickenham Studios, where we had an office, and that was fun. And then John died, he fell ill, and he died in ’85, I think it was ’85. Was that the ye[…]

[…] the casting for 'The Glowry Ghost', which later became known as The Ghost Goes West. And also The Shape of Things to Come. I think they were made at Twickenham, I'm not sure.Rodney Giesler: It was done at Denham wasn't it?Dicky Leeman: Was it Denham?Rodney Giesler: Hmm.Dicky Leeman: Well anyway, I […]

[…]ydney Samuelson: At Ealing?Erica Masters: No not at Ealing, no, this was after Ealing.Sydney Samuelson: That was at Elstree?Erica Masters: No, no, at Twickenham. Yes.Sydney Samuelson: Oh, I'm thinking of his television series at Elstree, OK...Erica Masters: And on the Robin Hood series.Sydney Samuel[…]

[…]as asked to take over. The shooting hadn't started, we were still casting, there was about six weeks to go before shooting, it had all been booked at Twickenham. And the designs were there for me to see and the first thing I did on the first day was to sack the production designer and make his assis[…]

[…] ta, ta te ta... . . So that was a little incident.So we did. One opera a day and then eventually went down to Shepperton. No first of all we went to Twickenham. And the music was played back at as loud a level as they could afford into the studio without giving a feedback and the Singers had to hea[…]

[…]art as well. So he very kindly bought us out. Arthur an island. And the company, as far as I know, still sits on a shelf in Richmond. At the Richmond Twickenham times demo bins and sprinters that is completely non operative and Puritan films I think is the same. So, at this stage I Arthur was an I l[…]

[…] on until, then the thing started to split up and they weren’t retaining their units and so we went off to various things. And I was making a film at Twickenham, a Carol Reed film, The Stars Look Down, I think, about the miners. And I went home one Saturday and found that somebody had started a war.[…]