[…]d a job you know, One did do   In fact, I'm not quite sure of the times but I did go to see Julius Hagen, Julius Haygen Productions at Twickenham, where they used to make these Quickies, they used to have two production units and three editors working all the time.  And I we[…]
[…]e just about to tell me how you got back into playing at cinemas.EB: My husband wish of his life time was to own a pub, and he managed to get one, in Twickenham, and of course that meant I had to give up my job at the Corner House, so I told Neil Salmon, I’m very sorry, he was a marvellous boss, ver[…]
[…]s and some picture editors because they say it is too complicated and it adds unnecessary extra work. Most dubbing mixers like it. Gerry Humphreys at Twickenham thinks it is the only way to record a film, but as I say most of the opposition has come from certain sound editors and I think it is quite[…]
[…] that I did for them was up there and only occasionally went down to the studios at that stage.Then I can't think what happened, oh then he worked at Twickenham Studios, that's where he made ‘Say It With Flowers' with Mary Clare, now that was all about the Covent Garden market, he'd got a fascinatio[…]
[…]G: Well Au pair Girl was a romp, it was my first nudie, I did it because Guido Cohen was an old chum of mine, who also used to be with Korda, down at Twickenham, called me down to lunch, and said “Would you like to do this? We're going to try and do a send up of all the nude pictures, it needs a ver[…]
[…]ous onesUnknown Speaker  40:28  for the old Hagan things weren't they? Hagan,Roy Fowler  40:29  yes, some of the Paramount stuff. Twickenham, course.Unknown Speaker  40:37  So anyway, I can't think of anything that of any significance.Roy Fowler  40:50  You di[…]
[…] we all got on with a very difficult picture from the dubbing point of view.Roy Fowler: You dubbed it here.Peter Tanner: No we dubbed it at Twickenham.Roy Fowler: This is going back slightly, you mentioned two Cassavetes pictues, I would have thought they'd be quite problematical for […]
[…]ad lots of time because the music hadn't arrived. And in fact, I left it along time before the music did arrive. The very good mixer, Robin, at Twickenham,spent ages trying to filter and soften them, but there was not much you could do about it, it was just like wrapping a pencil on this […]
