[…]ave money. They had no money on Paster Hall. They were shooting it partly in Highbury, on this set, and partly on this exterior set they had built at Twickenham studios, in the big stage there. But they were only having that for a week, and it had to be revamped also as another set. Erm..anyway, I d[…]
[…]Thompson. [J. Lee Thompson. DS] What do you remember of any of those?PM: Peter Collinson, first picture he ever did was The Penthouse. Which I did at Twickenham Studios. It was a leftover from another set. I’d done a picture called The Man Outside with Van Heflin, Director was Sam Gallu, and the set[…]
[…]ng called he who rides a tiger. And we will I went to work with John Pointer, the dubbing editor, Sound Editor, on that film, which was being made at Twickenham studios. And so that was my first sort of out into into the you explain what it did, being edited? Does? I could try. It's when the picture[…]
[…] yes. Cos Alec wasn’t so famous then was he, by a long way? DM: No he wasn’t. He played a gardening reporter who’s put on to follow the match at Twickenham. SC: That’s right, yes. It was a very funny film. DM: It was funny. Hugh Griffith was wonderful. SC: Oh Hugh was yes, fantas[…]
[…]h you had closed that sixty one sixty sixty one an interest after it. Yeah Twickenham cos chicken was a hardy survivors and I survived as a survivor took h[…]
[…]r than anything else?Eric Cross: Well, it was impossible to continue the job when the strike was on - the General Strike - so my Mother was living at Twickenham at the time and I wandered round looking at various things and I saw some people on location outside Twickenham Studios. It was Herbert Wil[…]
[…]I stayed there for quite a long time, did quite a lot of pictures over there. And the people who owned it, they owned about three studios, they owned Twickenham Studio and a studio down at Southall called Southall Studio. So I worked there with George Burgess and I think the mixer I worked with was […]
[…]ncidence died. I don'tJim Shields  10:58  follow that up. The story is that when Henry Richardson the director was down, he was actually at Twickenham. He had a phone call saying where do we say the negative is negative? There's negative and Tom Jones. And he having only said previous just[…]
[…]ie Beck: Very, a very nice man.Wyn Ryder: Then you did one in between those two with Cavalcanti.Reggie Beck: Oh dear, oh dear, made at Twickenham.p.6Wyn Ryder: Why do you say Oh dear?Reggie Beck: Because I didn't enjoy it.Wyn Ryder: Why was that?Reggie Beck: I don'[…]
[…]the businessAlan Lawson: How comeMonty Berman: Because I had an uncle who was in the business and I was very keen on the cinema and he got me ajob at Twickenham Film Studios as it was then with Julius HagenAlan Lawson: In what departmentMonty Berman: In the camera departmentAlan Lawson: And who was […]