[…]r than anything else?Eric Cross: Well, it was impossible to continue the job when the strike was on - the General Strike - so my Mother was living at Twickenham at the time and I wandered round looking at various things and I saw some people on location outside Twickenham Studios. It was Herbert Wil[…]
[…] first film I then made was The Ghost Camera for Twickenham... Sidney Cole: Yeah. Bernard Vorhaus: Which again had Ida […]
[…]crabbling to get money to produce...Sidney Cole: Sure.Bernard Vorhaus: ...on those conditions. So the first film I then made was The Ghost Camera for Twickenham...Sidney Cole: Yeah.Bernard Vorhaus: Which again had Ida Lupino in it. And that's what you said - I think it was, at the time, quite some r[…]
GUIDO COENCopyright is invested in ACTT History Project.Guido Coen, producer and director of Twickenham Film Studios - interviewer Sid Cole .SIDE 1, TAPE 1SC: We always ask about origins, where were you born.GC : I was born in Milan, in 1915 which makes me 73, I don't feel it but its there.SC : And […]
[…]cadilly for an interview. I went there and it was the offices of PCT, Provincial Cinematograph Theatres, and I got the job. And I'd a letter to go to Twickenham Studio and I went there, that's still as an office clerk, which wasn't my scene. Well, while I was there I got to know a fellow who was joi[…]
[…] her into bed. And another story, when Elvey came to Twickenham Studios during the War, he brought his leading lady with […]
[…] - not very big - but big. DARROL BLAKE: At Twickenham? REN ÉE GLYNNE: Yeah. And I tried not t […]
[…]ular. But she then also did others like for Jasmine sort of freedom,Unknown Speaker 16:39 which was she did at the Buccaneers that was at Twickenham Robert Shaw so he became a big actress you know?Unknown Speaker 16:46 I don't think any any from Robin Hood did for just men, t[…]
[…]our films before “Brass Monkey”. So, Iwas in this very low level and then suddenly forced to do a film, big - not very big - but big.DARROL BLAKE: At Twickenham?RENÉE GLYNNE: Yeah. And I tried not to. You know, “I don’t think I should.”Thornton Freeland, an American Director, Terry Thomas. It was re[…]
[…]art as well. So he very kindly bought us out. Arthur an island. And the company, as far as I know, still sits on a shelf in Richmond. At the Richmond Twickenham times demo bins and sprinters that is completely non operative and Puritan films I think is the same. So, at this stage I Arthur was an I l[…]
