[…] those. Where you used to get all these shows - Talmadge, and all their horses, the cowboys and everything. It used to go on for, oh, probably, maybe two or three months you see. [Chuckles.] But you were always interested because it was always something exciting, or something terrible was going to h[…]
[…] everything. It used to go on for, oh, probably, maybe two or three months you see. [Chuckles.] But you were […]
[…]y father was in charge of work on for instancethe Titanic, interior work, and my brother was an architect, and my other brother was inpublicity, in artwork in publicity. So there was a sort of basic interest there.Roy Fowler: Was your father's work entirely on shipsMaurice Carter: Yes, entirely on s[…]
[…]yway, that was the end of production briefly, but very briefly. All the pictures went, rapidly, into other studios and we kept going in some - one or two lines in British International Pictures. Some at Rock, some at Whitehall I think it was called, wasn't it?Alan Lawson : Yes...Gordon McCallum : J […]
[…] studios and we kept going in some - one or two lines in British International Pictures. Some at Rock, some […]
[…] point, without being ungallant, which is, that the books give two varying dates for your birth year CB: Oh ! […]
[…]ginning of your career which, I’ve got that you were born in Hammersmith. It’s one tiny point, without being ungallant, which is, that the books give two varying dates for your birth year
CB: Oh!I: 1909 and 1910CB: 1909I: 1909CB: YesI: Some give 1910CB: YesI: RightCB: So, if I live to the end of t[…]
[…] say, who sent out first tours, who was notorious for two things; paying the lowest salary and going after the […]
[…]p of a hat. I've even worked on films. I worked on a Jesse Matthew films when I think we started in the morning at eight or 830 and went right around two or three o'clock in the morning with no I mean, you've got you've got some sort of extra money so much for now, but it was very small, like five s[…]
