[…]what was called a Wartime degree, because it was nineteen forty.., it was the end of the war, 1945 1 suppose and that meant you had to do a degree in two years which normally would have takenNorman Swallow: I had the sameDavid Attenborough: Then I went into the navy and I spent two years there. And […]
[…] then we'll help you get on a production," which they did. Roy Fowler: Ah hmm, good. So you were a moviegoer, presumably? Andy Worker: Hmm, two or three times a week! [Chuckles] Roy Fowler: Yes. In those days what kind of comparison, as a filmgoer, did you make between the Hollywood f[…]
[…] and that meant you had to do a degree in two years which normally would have taken Norman Swallow: I […]
[…]he end of last century. Apparently, nevertheless, although I have all those relatives, we actually had very little to do with any of them, only about two brothers that we had anything to do with.SF: What about school?[04:58]Well, school of course during the war was an elementary school and again, mo[…]
[…]re called by the works committees, these meetings?Tom Peacock: That's right, yes. Well as regards to me, being in the plasterer's shop you see, I and two or three other people volunteered to give up their time, voluntary to make this film you see. So we done it in our dinner hour and then we stopped[…]
[…]n old camera in the camera room, it was an old Bell and Howell and it was not the type of clapper gate that you had the clips for but you had to undo two scripts to take it out. And it was known as the Ideal, I think because it had come from Ideal pictures. There was that and I examined that thoroug[…]
[…] see, what, you speak French and German and that’ll be two pounds five and a penny’. So I said, ‘Lovely, […]
[…] me, being in the plasterer's shop you see, I and two or three other people volunteered to give up their […]
[…] you had the clips for but you had to undo two scripts to take it out. And it was known […]
[…]t four weeks before we could dub - I mean it was massive, every cough and spit there was nothing but guide-tracks. And so he said, "That's fine", but two weeks later the phone rang and it was the producer, a very aggressive man called Frank Hoare. He said, "I'm in the theatre, waiting, where is it?"[…]
