This transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of […]
[…]e world to spread the film around really. And quite often, though, American releases had to printed in America. Again, if the film was being made for United Artists, and it was being paid for from the States, they would probably say all the copies will be made in America even though it’s been shot o[…]
[…]would keep, we'd keep out of Germany and the German speaking countries and some other countries, I forget which now and we they would keep out of the United States and England and some other countries. I don't know what it was. So I never did anything in Germany, except I did go there and. And had a[…]
[…]d alter the aeroplane a bit for the for the for your team.Speaker 2 11:45 Oh no, we used to take the whole plane and fill it out with the artists and the crew. And we would they would take out all quite a few of the seats so that it was all first cars because that's what the union said w[…]
[…] People just fighting for something they believed in. That was why I made… I was ledinto making a film about Andrew Young the black ambassador to the United, Americanambassador to the United Nations who was black and was tipped as being possibly the firstblack President if they ever had one. With hi[…]
[…]aidQ: What was Feldman’s background?00:27:30JOE: Feldman was an agent - well he was the biggest agent in the world - he, oh yeah, he ran famous artists and they represented Arthur Miller, they represented Marilyn Monroe - er - Gary Cooper - Clark Gable. So he’d come - he was Hollywood, y[…]
This recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co- Investigator, De Montfort University). (2015).BECTU History ProjectInterview […]
[…], arguing around the conference table. They run through the routine bluff of the Cold War, vying with each other for the neutrals confidence, briefly United when the neutral tries to imitate their aggressiveness, ultimately threatening each other across the artificial barrier that they build on the […]
[…]s of all kinds. Roy Fowler 14:48 It's noticeable that in the film industry, both here and I suppose more especially in the United States, yes, in many of the immigrant Jewish families that were the great achievers in motion picture. Jill Balcon 15:00 &[…]
