[…] letters by the score. And so you want to send him something that, you know, is interested in our goal, for instance, you know, Vice President of the United States, one of the one of the things that interests me about the US at the moment is that the environmental movement has never really got very […]
[…];Eric Gill the artist set up an animation. Studio where he had a number of artists painting the cells and uh downstairs in the Cannon department we were filming[…]
[…] pretty formidable.And I soon got to know that nobody really has on offer what Britain has on offer. And that also applies to a certain extent to the United States because a lot of what we can do, we could do much more economically than it could be pr provided in the States. That’s why so many film […]
[…]ard claim to fame was she was the only person in the island the have any booze because it's a dry island of Western Samoa is a protectorate under the United Nations it's a dry island. But Eighty Grey had got the franchise for the booze so we have to go and stay so we go there and stay there. We wait[…]
[…] her first film was Out of Chaos (1944) profiling British artists in wartime. During the 1950s she worked on scripts […]
[…] What was it like making these?Jill Craigie: I only wrote the scripts. And then suddenly I wanted to make my own film, I wanted to interpret what the artists and the town planners were saying to mass audiences.Interviewer (unidentified): Why did you think that was important?Jill Craigie: Because it […]
[…]h.John Taylor: Yes. It was a very good organisation really.Charles Wilder: Yes well you see what really happens, I mean supposing you were going with United Artists, perhaps it was one of their films. Well they would want you to go to the bank and borrow a certain percentage of the money and United […]
[…]very much indeed but I don't think they were right for the movie. I think it would have been a much better picture if it had been made with different artists and in a different way, the way that sort of film has been made since by other people, in a much more naturalistic way. It was contrived.KGY: […]
[…]man or an operator all the time and finishing. And I have just finished. I'm finishing today more or less the five films that I've been doing for the United Nations University in Tokyo, where I've been working in Africa for 15 months in Nigeria as a cameraman, director. And hopefully we'll get some […]
[…]RRY MILLER: No, not really, he’d lose his job. [LAUGHTER] Then there were lots of people who’d call to see the people, the stars and the artists and that, and you’d whip them up to their room, tell them that the artist – and you’d bring them up to their room and maybe they’d give you a […]
