[…]ces like that. Shot on a ranch, as well as the drilling rig. Took the rashes on to Hollywood. Processed them at Technicolor there. I spent the day at Universal while they were being processed, and had a great time. Feted. Met Telly Savalas and Paul Newman. Dropped the shots into the film. Took a sla[…]
[…]r your first pictures. I said yes. He said, Well, I'm Michael Did you know I've? I've got a kind of carte blanche. I can do any pictures. I like them universal. I've done this. I've done that. Normally, I can get I can use. He he mentioned that. Oh, hello. Because Otto was still alive than this. I d[…]
[…] girl I knew who knew the editor of the I.T.N. news. And she said to him ‘Well I think this […]
[…] lot before you came to the relevant piece. So, obviously, news reels. And the same with Movie Tone Movietone and […]
[…] lot before you came to the relevant piece. So, obviously, news reels. And the same with Movie Tone Movietone and […]
[…] and three of us were appointed: Cave Chinn, Oswald of Universal, and myself, and we were sent up to Scapa. […]
[…]p;14:42 from that. So what was a was it a combination of music and talks, or it Elizabeth Bale 14:48 was mostly news articles, I think, because then they'd cut into the network, into radio, four or home services? It was then, but Nick Gilbey 14:5[…]
[…]t up in Devon mainly with parents who hadn'tbeen to university. So I think Oxford did it and there was a girl I knew who knew the editorof the I.T.N. news. And she said to him ‘Well I think this Jenny Izard would be to be OK as awoman reporter’. And so he said ‘well what's she like then? ‘Well she w[…]
[…]over or something like that. Anyway, early 1940 they decided to appoint cameramen into the navy and three of us were appointed: Cave Chinn, Oswald of Universal, and myself, and we were sent up to Scapa. The navy at that time had no idea about publicity; we weren't allowed to wear cap badges or brass[…]
