[…]s on first aid, you made films on electrical and mechanical engineering and mining engineering, everything you can think of, you know. You had such a variety and I liked the industry anyway, I liked mining very much indeed.Couldn’t bear the headquarters, but mining was fine and when you got out in t[…]
[…] PM 1930s - Gaumont British newsreel cameraman 1940s - War correspondent - Naval correspondent, HMS Valient, HMAS Australia. Sinking of […]
BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]
[…]and I do like to claim authorship. Yes. But what I’m probing here is were perhaps your motives slightly different from him or were there a variety of motives in the, you know, you, Bob Dunbar, there’s other people come along fairly quickly, Alan Lawson, Gloria Sachs, others? Ye[…]
NB This is not a full transcript - it covers only the first, March 1994 interview.[Copyright BECTU]Transcription Date: 2003-12-02Interview Date: 1994-03-22Interviewers: Rodney Giesler Interviewee: John KrishTape 1, Side 1This is an interview with John Krish, recorded by Rodney Giesler in London on 2[…]
[…] then on. How long a time were you with Fox Movietone?Norman Fisher: All in all from 1936 to 1978. The war was in the middle but I was a newsreel war correspondent so I was still with Movietone.Roy Fowler: Norman I wonder what the best way is of covering this period? Just coming forward in time as y[…]
[…]as resolved, the unit went under the wing of British Rail, on which in the railways film service, but it was allowed to continue to work for the wide variety of public owned corporations, largely in the field of surface transport, but on an agency basis, which is what I was saying, wasn't, early on,[…]
