[…]en, I think we had got, oh, there was one picture where there was, we had a lovely old assistant director called Billy Russell, oh yes, he had been a variety artist, and he became an assistant director at Eiling, and he always wore a hat pushed slightly to the back of his head, and he'd got this Nor[…]
[…]re out I think at quarter to 7 and we'd done it all in one take and one or two cut ins. It was a film I thoroughly enjoyed because it was an enormous variety of material and then after that I went to Russia. Dallas Bower had probably asked, I never asked him if it was him, that I should be offered a[…]
[…] absolutely. And also… So finding the correct sources and a variety of sources is integral. Variety is crucial. If you’re […]
[…] a film I thoroughly enjoyed because it was an enormous variety of material and then after that I went to […]
[…] what they put in because the key feature was selling them. Mind you, I can recall going to the Empire Leicester Square and seeing two features and a variety show in the middle for seven and six, five shillings even. INT Radio City Music Hall.Yes, yes, those days have gone. Now one of the plusses of[…]
[…]he help of JR and Margaret Olley; JR discusses some of her other activities during this period including the Diaghilev exhibition in London featuring variety of period dresses.Side 200:00:00 – 00:10:30 JR continues to discuss her involvement with the Diaghilev exhibition in London.00:10:30 – 00:17:0[…]
[…]s about 1943 and that was an interesting little gathering. The people I remember in that were Roy Baker, Eric Gambler, Peter Cotes, Peter Noble and a variety of other people, oh Herbert Marshall, not the actor but the uh the one you …Rodney Giesler:Yes, the producer.Roy Fowler:Yeah and it started he[…]
