[…]ribly sorry but I don't, but I didn't have much to dowith them, I know they went off and material came back, I would have thought they were more like correspondents but I wouldn’t like to say.JL: You said you had another story to tell.DA: Just War for Men's Minds, they kept changing the titles, I do[…]
[…] in black and white.KGY: What sort of camera did you have.CC: Mostly Newman Sinclairs. Then we did get involved in things which they couldn't put war correspondents on because of conditions of secrecy. Don't ask me why but the RAF filmed all the experiments of the finally laying of P1uto, the pipeli[…]
Please note this interview transcripted was converted from a PDF file into a Word document. It will require proof reading and editing. Interview with Cyril Howard at Pinewood Studios on 25th August1988SIDE l, TAPE lRF: When and where&nb[…]
[…]eriod for seeing films for there was a cinema called The Avenue Pavillion which was more or less where the Columbia is now and they showed an amazing variety of films from all over the world. One saw films Caligari and things like this and this made me feel that if I had to go out after graduation i[…]
www.historyproject.org.uk British Entertainment History Project Bulletin 3. November 2020 Dear all, Sorry this Bulletin is later coming out than we […]
1 The History Project Transcript number: Interviewee: Christine Whittaker (22.12.1942 – 16.08.2017) Occupation: Archive Producer Interviewers: Sue Malden and Jerry […]
1 The History Project Transcript number: Interviewee: Christine Whittaker (22.12.1942 – 16.08.2017) Occupation: Archive Producer Interviewers: Sue Malden and Jerry […]
1"""HP 0572 Laura Mulvey – Transcript. NB Ums and ers have generally been omitted. Subject: Laura Mulvey[LM] Interviewer: Emma Smart […]
